Author Archives: Brendan O'Callaghan

Some Fresh Glory: A Critical Analysis of David Thompson’s Critical Analysis

My first exposure to David Thomson was reading the booklet included with my Criterion Collection of Jean-Pierre Melville’s Le Samourai. His essay, entitled Death in White Gloves was every bit as evocative as the title suggests. You will forgive me, I’m sure, for including such a large excerpt: “He is an icon out of his time. He is […]

Disobeying the Faun

Disobeying the Faun   It is a common theme in films within the fantasy genre to contrast the fantastic with harsh realities. Young, innocent children are often transported by some unknown magic to a world of fantasy where they unlock a power denied to them in their real lives. The Pevensie children in The Lion, the […]

The Italian Job: Italian Neorealism and The Bicycle Thieves

The Italian Neorealist movement was a cathartic reaction to the horrors during the Second World War in Italy and widespread resulting poverty experienced by millions of Italian people. Mussolini’s fascist regime had tasked many of Italy’s directors to producing propaganda films throughout the war, and the majority of other films being produced at this time […]

Land of Smoke and Mirrors

An Analysis of Mad Men’s Pilot Episode[1] A well-dressed man sits alone at a small table in a smoke-filled bar, scribbling furiously on a napkin. The music (Don Cherry’s 1955 hit Band of Gold) and the surroundings let us know we’re somewhere in the late ‘50s or early ‘60s. From the way he’s scribbling and his […]